ArchivePage 5 of 17

A & A Body & Paint

A & A Body & Paint — Cropped
I know I’ve been posting more drawings and paintings from life lately and less character work, but here’s another sketch anyway. This is of the A & A Body Shop at Pico and Ridgeley. Rumor is that this place has something close to a hundred citations for various things and the neighborhood and city are looking to shut them down. There are a lot of body shops along this street and while I feel for these small business owners and the mechanics that work for them, I could do without the toxic fumes. This is a big residential area, with a lot of restaurants and cafés, and a good number of them with outdoor seating. I like to ride my bike to these places sometimes, but biking and holding your breath don’t really go together too well. We’ll see what happens. Anyway, isn’t that a cool old truck? What is it? A Ford or a Chevy of some sort? I’ve been meaning to sketch this spot for a little while now and thought I should get on it in case it disappears. I might revisit this with watercolor later. The truck is a nice rusty color.

Goodies!

After months of admiring the “LOL Cats” cartoons by Flickrpal Ape Lad (aka Adam Koford), I finally ordered one (for only $20 on Hobotopia.com)! The timing couldn’t have worked out more perfectly. My birthday was this past Saturday, September 15th, the very day that my LOL Cats cartoon was mailed. It arrived today on Monday!

What day is it?

I requested that he sandwich the cartoon in some cardboard, because my mailboxes are ridiculously tiny and my mail carrier, disgruntled. He was oh so generous and threw a little extra cartoon on the purple board.

Burple

“Mebbe a vineyard asploded?” LOL!!! Also pretty serendipitous, because Jamie and I spent this past weekend celebrating my birthday wine-tasting in the Santa Ynez Valley area of Santa Barbara County. Yes, folks. That’s “Sideways country” — and we did stay at the Buellton Days Inn, or “The Windmill.” This is our second time visiting the area for my birthday. The last time was in 2005. Our favorite wines continue to be made by Daniel Gehrs, who does not own any of his own vineyards, but purchases grapes from various places throughout the region and turns them into bottles of heaven at his winery in Buellton.

Great Grapes

And I got more goodies today! A birthday present arrived from my brother. Wrapped in images of outer space, were two E.T. “Original Collectibles” from 1982. I was E.T. crazy when I was a little kid. These are showing some age, but still in their original packaging. Kinda like me.

The Original Collectibles

Eastern Plane

Eastern Plane

Another page from the Land of Ink. Bonsai branches, watchtower gourd on hourglass temple, old-man’s-face-breathing-dragon, smoldering volcano, and other things yet unnamed.

That Down Beat Jazz

I took my car in to be serviced this afternoon and it took several hours before it was done. They had a shuttle service that could take me within a five-mile radius of their location downtown, so I had them drop me off at Alvarado and Sunset in Echo Park, Los Angeles. There I spent the afternoon with a bagel and lox, a lemonade, and later on, an iced coffee. I sat first at one of the tables on the sidewalk and sketched the view:

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Then later, at a table inside, I did this one:

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About a year and a half ago, I did some sketching in this same location.

Backwards Bill

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I saw this guy on Pico Blvd the other day. I don’t know if he realized his shirt was on backward. He was carrying a big ring of keys and seemed a little lost. I hope he found his way home.

Notes on Materials — Watercolor Sets

Wow that last post was pretty wordy, but the bottom line is, I thought I’d put one kind of watercolor paper in my Moleskine mod, but it was another. Still hot press, and still Fabriano Artistico, but bright white instead of off-white and 50% heavier. Good news is it still managed to fit in the book and it works fine.

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On to the subject of watercolors. I have two Windsor & Newton sets. I bought the smaller one first, but then I bought the larger one so I wouldn’t have to mix colors as often.

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The smaller one didn’t have any browns, grey, or black, and so I found myself mixing those pretty often [edit: it has two browns!]. The larger one has a good number of colors which still can be mixed if I choose, lending itself to an even broader spectrum and allowing me to work a tiny bit faster. It also has a good amount of palette space, which is nice. But when I took this to Sketchcrawl 15 on Aug. 25th, it was a little cumbersome. It didn’t fit in a pocket, and so I had to bring a bag, and it just made it a little more difficult to watercolor on the go. It was easier sitting, but standing proved more of a challenge. Picture this:

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So when I went out to Santa Monica about a week ago, I took the smaller set with me and it was much easier to use standing up. Much much easier! See here:

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And another plus is everything fit in my pockets! I was wearing cargo shorts, which helped some. If I were a lady or man-bag-guy, I could put it in my purse, but on that day I was cargo-shorts-guy. I also found that since I’ve been using watercolors more readily, I’ve gotten a tiny bit better at mixing colors, and so I didn’t mind mixing my browns, greys, and blacks. In fact, I felt those tones turned out a bit more interesting. A little richer maybe and infused with a little more color, so they could be warm or cool, depending.

So. Conclusion? I’m really happy with this combination of supplies for sketching out in the field. It’s my sketch-kit on-the-go.

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(Shown here are my modified Moleskine Daily Planner turned Watercolor Sketchbook, Windsor & Newton Cotman Sketcher’s Pocket Box watercolor set, 0.9mm Pentel Twist-Erase mechanical pencil, and small Pentel Japan Waterbrush Pen.)

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(The only things that would complete this picture are a few paper towels and my Kuretake Brush Pen)

I’ll still use my larger set at home and as I continue to be more familiar with colors, I may end up swapping out some of the pans in my small set for ones I like better. The small palette space may still be a bit limiting, but that can be remedied somewhat with the wipe of a damp paper towel and… practice.

Notes on Materials — Moleskine Mod

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The modification has so far gone well. The stubborn curve is starting to come out of the pages and I’ve enjoyed the versatility and portability of this “frankenskine.” But shortly after starting to use it, I became aware that I did NOT refill this moleskine with the same paper I tested out in the weeks prior.

The paper I originally used seemed thinner and slightly off-white, whereas the paper I put into the book was a bright white and somewhat thicker (and as a result, stiffer).

See if you can tell the difference between the two in these photos:

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Martha’s instructions at Trumpetvine Travels call for Fabriano Artistico 90lb (200gsm) Hot Press. So which one was which …and how did this happen? A trip back to Blick art supply (on Beverly Blvd in Los Angeles) quickly answered that question when I took a look at their watercolor papers and saw what a mess they were! It’s no wonder I grabbed two different papers. They were totally mixed up, with at least three different kinds of paper shelved under each label. By looking at the item numbers penciled on the edges of each sheet, however, and comparing them to the numbers on the shelf labels, I was able to at least figure out which ones I had bought.
And it turns out that the paper I initially tested on was in fact Fabriano Artistico 90lb (200gsm) Hot Press (what Martha suggests) and the paper that I put into my modified Moleskine was a different one — still a Fabriano Artistico Hot Press, but Extra White and 300gsm. The paper is indeed a bright white and it is 150% the thickness!
This mixup explains why the bookblock was such a tight fit for the Moleskine cover. Fortunately, Martha’s recommendations allowed for some leeway, so the bookblock did at least fit and I’m finding it works well enough for my needs so far. One possible advantage is there’s less show-through when using ink, but the downside is I think the ink from my brush pen does not flow quite as smoothly on this paper, although the difference may be pretty slight.
More notes on materials in my next post, when I talk about the pros and cons of different watercolor sets (I bet you can’t wait! I know this is REALLY exciting stuff!).

Portrait of Jamie

Portrait of Jamie

Ink Splatter Migration

Ink Splatter Migration
Stray splatters land on a free page and soon multiply, amassing an exodus toward new undiscovered pages where they can create a world of their own.

The Georgian, Santa Monica

The Georgian
(click the image for a larger version)

Jamie and I went to Santa Monica on Saturday and while she got her hair done, I did some sketching. This one was from the fifth floor of a parking garage on 2nd street, looking out toward the Georgian Hotel and the Pacific Ocean. Later that day, Jamie and I were walking among these very palm trees, along the brilliantly green grassy strip of park situated at the bluffs.

New York & Paris Headers

New header images for the ol’ bloggy. These are from photos taken in New York and Paris, May 2007. Notice they all have lines leading from the upper right to the lower left? Kind of odd how that turned out.
West Village, Manhattan:
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Red Hook, Brooklyn:
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Rooflines of Paris, France:
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Musée d’Orsay, Paris:
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Smokin’ Geisha (Sketchcrawl 15 Revisited)

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Here’s the smoking girl from Sketchcrawl 15, but with added watercolor. This is one really nice aspect to the modified Moleskine and having a sketchbook with watercolor paper. Any drawing is a potential future painting.

A Girl and Her Dog

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I was having lunch outside at Bloom Café last week, when I sketched these two. She was lunching with friends while her pup trotted around on the sidewalk all around and under the table. The drawing might be a little confusing, but the dog was not standing on the table. Also, he was about half the size shown here in relation to her. I don’t know much about dogs, so I can’t tell you what breed he is. Maybe you know? At any rate, he was damn cute.

Arachnid’s Ghost

Arachnid's Ghost
Seen in the Inky World.

Sketchcrawl 15, Little Tokyo — part II of II

Tents and City
This (above) was near the cultural center. After sketching & painting the giant float, I felt I needed to loosen up and keep things simple. I liked the colors and the composition of this view, so I banged it out, just trying to focus on the key elements.
Astronaut Ellison S. Onizuka Street
A sketch of the monument to Ellison S. Onizuka and the Space Shuttle Challenger. The street this is on is actually named “Astronaut Ellison S. Onizuka Street” and is an exception to Los Angeles’ letter limit to street names (Though I’m not sure what that limit is. Maybe 16?). This monument and place is significant to me for at least two reasons. One, I remember when Challenger disintegrated. I was in my fourth grade classroom when we listened to the live broadcast on the radio. I remember a fair amount of emphasis being placed on the death of Christa McAuliffe, a schoolteacher from New Hampshire who was on the shuttle, and I wasn’t quite as aware of Onizuka. My fiancée Jamie, however, is from Hawaii (where Onizuka was from) and so I think more emphasis was probably placed on the death of Onizuka there. Granted, it was a tragic event for all involved.
Secondly, this place is significant to me, because I used to live here. I lived in Little Tokyo for about 2 and a half years, right on the 200 block of East 1st Street and the back of my building faced out onto Onizuka St.
Incidentally, I had a roommate from Japan who once told me that “Onizuka” translates to “Devil’s Tombstone.”
Smokin' Geisha
I sat at a table near a group of young (maybe 16-year-old) Japanese-American girls dressed in Kimonos, while they smoked cigarettes and talked about makeup. One of our other sketchcrawlers, Akiko, said she overheard one of them say, “Okay my dad is here, so I don’t do anything, okay? I don’t smoke and I don’t drink!”
Pippy Legwarmers
Another view from the back. It’s easier to draw people from the back, especially when they’re not going anywhere. I don’t think this girl was even Asian. Maybe hapa, but it was hard to tell if that was the case. She had her straight black hair in pigtails and her short kimono or “happi coat” with the big ribbon wasteband/sash (Obi) — plus legwarmers and sneakers!
New Otani Gardens
Lastly, we went up to the New Otani Hotel’s Garden. Where there was this inspiring view of the beautiful California Bank & Trust building.