Archive for the 'Screenings' Category



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I just watched the documentary film “Frank and Ollie” last week for the first time. I knew that these two guys (Frank Thomas and Ollie Johnston) were legendary Disney animators and two of the “Nine Old Men.” I also had some idea that Frank and Ollie were good friends. I didn’t know just what good friends they were. What a very special friendship they had. A deep understanding of each other’s minds, immense wisdom and patience and love for life. It’s a wonderful story about two friends, really. And two great people. In addition, they created these wonderful works of animation that are and forever will be such huge contributions to our culture. Snow White and the Seven Dwarves, Pinocchio, Bambi, just to name a few examples. That’s big. And yet, their contributions were so often such little things when it came down to it. A slight change in expression. The shape of the eye changing, a lean of the body one way or another, beautifully pushed, yet understated mannerisms. And the feeling behind those movements so wonderfully conveyed so that we really feel there is a living entity there, even if only in our imaginations (which is a lot). All embodied by some lines drawn on a piece of paper.

After watching “Frank and Ollie,” which was produced in 1995, I was saddened to learn that Ollie’s wife and his best friend Frank had both since passed away. Saddened after seeing what beautiful relationships Ollie had with these two, I imagined him then quite elderly and alone, but at least he might still have those friends, the trains. I wondered if maybe he was too elderly to care for his trains anymore. Then I learned that his train, the actual, life-size, restored steam engine, had since been purchased by John Lasseter (a long-time friend of Ollie’s). Where was Ollie now? And was he happy? It seemed to me, or so I hoped, that in spite of the loss of loved ones and the difficulties that come with age, he might still find some solace in his living an exceptionally good life. Which means having dear friendships, making a contribution to humanity… and what I saw in that film was a radiant inner joy, peace, and spirit that Ollie seemed to have. Of course, I think it’s pretty unlikely that he was alone. He was living in a long-term care facility in Sequim, Washington. That’s on the Olympic Peninsula, not far from Seattle (where I lived for 8 years), and it’s a beautiful area. The Olympic mountain range is there, Hoh Rainforest, hot springs nearby, Pugent sound to the north and east, and further west is the Pacific Ocean.

Ollie died of natural causes on Monday, April 14th, 2008, at the age of 95.

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We’ll miss you Ollie. Your passing puts a final page on the story of the Nine Old Men, but your work and your legend will live on forever in some of the finest animation that we have ever (and may ever) experience.

Ice Age

I just saw Ice Age on DVD last night. It was my first time seeing it since its theatrical release in 2002. I remember enjoying it then, but there was a lot I forgot and a lot of new things I think I noticed this time around. The thing I remember enjoying about it in 2002 is its cartooniness. It has a goofy playfulness I love that hearkens back to those Saturday mornings, savoring every second I could of Bugs Bunny and Daffy. It’s character-driven comedy, most of it physical. Some of that is pure slapstick (guy-steps-on-a-rake kind of thing) which isn’t too specific to the character, but the majority of it is derived from and defines/reveals the character in its unique circumstance. Though the comedy may be physical, it’s really telling us something about the mind of that character — something funny.
Which character am I thinking of in particular? Sid, of course! The sloth (pictured above) so geniusly voiced by John Leguizamo. He’s the star of the picture. Not only is he the primary source of comedy in the film, he’s the one driving the whole story forward. What a goldmine of a character. He’s the most manic sloth you could ever imagine, which gets a tad annoying at times, I’ll admit, but heck that’s one of his key character traits. He’s incredibly annoying. The thing is he’s just so funny and endearing while he’s being annoying that we tend to forgive him for it. Also, thank goodness, he is tempered by the cool and down-beat qualities of Manfred the Mammoth and Diego the Saber-toothed Tiger (voiced by Ray Romano and Denis Leary, respectively — wow, Denis Leary down-beat. Who knew?). Also, Sid starts to even seem a bit normal set against the character and running gag of impossibly-manic Scrat the Saber-toothed Squirrel (voiced by the film’s director, Chris Wedge), who is thankfully used just as a sort of seasoning, appearing only for brief periods throughout the film (and making it all the more hilarious).
Leguizamo is so terrific in this role as Sid the Sloth. He seems to really understand what it means to act for a cartoon and the animators really eat it up! I can’t remember what scene it was, but there was this one awkward kind of nervous laugh he does that had me cracking up. There’s so much in the sound of that laugh alone and the subtle little head and eye movement the animator provided are just the perfect micro-storm example of the kind of collaborative performance you can find in animation. Mo-cap has nothing on this stuff! I mean, this is magic. This is the power of raw imagination and talent and a lot of hard work! It’s a joy to watch.
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A big round of applause to the entire cast and crew of Pixar’s Ratatouille! It was a true delight! Superbe! Genial! Credit must be given to Jan Pinkava as originator of the film, but accolades to Brad Bird’s script and his unbeatable skills of direction, omission, and selection. The timing of the action sequences was just spot-on. I loved all the little touches. All the characters were a joy to watch (and superbly voiced — I couldn’t believe that was Janeane Garofolo doing a french accent), and I loved the designs of the rats. I could go on and on. Little rats are dancing in my head.
See story artist Jenny Lerew’s post on Ratatouille for much more thoughtful and eloquently stated observations, of which I wish I could plagiarize word for word.
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Last weekend I saw a screening of the Animated Short Films nominated in this year’s Academy Awards ceremony (2006 films, 2007 ceremony). I planned to write a more critical analysis of the films here, but that plan has been causing a delay in posting so I’ve decided to scrap it. I’ll just say that all the films were great. Blue Sky’s No Time for Nuts and Pixar’s Lifted were both funny and well-crafted 3D-animation and it was refreshing to see Disney’s return to more traditional animation and storytelling with the painterly film, The Little Matchgirl. Interestingly, however, while all of these films are probably most akin to my own style both visually and in storytelling, it was The Danish Poet that impressed me the most and stuck with me the longest after viewing. Certainly, all the films are worthy of the award and it will be interesting to see who gets it. I’ll enjoy having a little more insight into this part of the awards show than I have in the past. My expectation is that one of the larger studios will win, but while I have a great deal of respect and appreciation for those studios, it certainly would be wonderful if The Danish Poet received the award.
Check your local listings. If you want to see these films on the big screen, pre-Oscars, your last chance might be Thursday, February 22nd, as most theatres run on a Fri-Thurs schedule. [UPDATE: Some cities have screenings extending into Oscars weekend and some opening later. Follow the “local listings” link above.] Both the live action and animation shorts are screening at L.A.’s Nuart Theatre until Thurs, Feb 22, distributed by Magnolia Pictures.
Incidentally, before the shorts, I saw a preview for Tears of the Black Tiger, a most surreally beautiful and amazing looking Thai Western!




About Lee-Roy  

I’m a Storyboard Artist and Illustrator currently in Los Angeles, where I live with my fiancée, three cats, and several colonies of ants. My earliest memory is as a three-year-old, drawing a picture. About three decades later, the picture is still being drawn. It’s one I never want to finish.


 

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