I returned home from Hawaii earlier this week, where I spent Christmas. I made an effort to do a fair amount of sketching on this trip and so I’ll be posting those here. Lots of beach sketches and the like. Here’s the first one, Lifeguard Stand at Kaimana.

Yup. My birthday is today and I am indeed 30 years old. Goodbye, Twenties. You were lots of fun. Hello, Thirties. Let’s get to work.
Here’s a little self-caricature and the image I used for the party invite. Everything’s from my all too self-aware memory, save for the hand and toothbrush, which I referenced in the mirror.
Sorry for the lack of posts lately, folks. Here are some favorites from a day of life drawing that was full of character. I can’t recall the model’s name, but he was excellent at playing with character. Lots of evocative and humorous stuff. I couldn’t help but keep drawing his face, and found slightly different ways to caricaturize him each time. Lots of fun.

Note, they’re all from the same side of the room, thus the similar angles.
I’ve been pretty busy with work lately, so I haven’t been able to post very often. Here’s a quick sketch of Dave Letterman I just did to try to make up for it. I’ve been a fan of Dave’s since I was a wee lad and staying up late was the real cat’s pajamas. Back when he had all that curly hair.

This is a real character spotted yesterday in Psychobabble Café in Los Feliz. This is only slightly caricaturized and in fact, there were a couple things I could’ve pushed a little further for a more accurate representation. An irresistable draw.

Some sketches from Venice Beach on Sunday. I might post a couple more of these tomorrow. Happy Fourth to those of us in the States. The smell of lighter fluid and gunpowder is in the air.
The last of the April Figures and Dynamics series, I promise. Then I’ve got a little stack of post-it doodles to post …it.
More of the whole image with detail(s).



Still not done. I think I should have one more post from the “Dynamics” series after this one. Here are a few more drawings of Clay from Karl Gnass’s drawing seminar. I tried something new with these images, giving you a full drawing and a detail of that drawing in each.



I exaggerated things a little on this last one.
Now here’s a hodge-podge. A quick sketch of the class skeleton, a character doodle, and some anatomy notes squeezed in, alongside a “serious” drawing of Clay.

And a quick portrait sketch I sneaked in between taking notes from Karl.

Well, so I lied. There will be more than two parts to this “Dynamics” series. I’ll just be posting them as I can get them composed into jpegs. These are from the second half of Karl Gnass’s seminar. We had a female model before lunch and a male model after lunch. This is Clay. He’s a lean, mean, modelling machine with lots of definition. Pretty interesting body-type and lots of great poses. More to come…

I did some color experimenting with one of the drawings from my previous post. A bit overworked, maybe, but I thought it worth the post.

These are drawings I did in a day-long drawing seminar with
Karl Gnass, titled Using the Force: Dynamics of the Figure. The dynamics we concentrated on were, as Karl explained, not the dynamics of
Burne Hogarth, which are more about dynamic action poses and drawing the figure with lots of really well-developed muscles all working simultaneously. Perhaps if you’re drawing a superhero lifting a car or a locomotive, it might be appropriate for every muscle to be engaged, but for anyone else you might draw who isn’t a superhero, it’s an unnatural and, in several respects,
non-dynamic way of portraying the figure.
Karl defines dynamics as opposing forces working together. So, for example, if you are reaching up with your right arm, your left arm is hanging down and your feet are pushing into the floor. Some muscles are stretching and pulling and others are dropped or relaxed. There is a push and pull, a give and take in the body. The dynamics reveal themselves in the anatomical elements, or stage 3 as described previously — in the muscles, bones, and joints — and so we concentrated a bit more on those elements in this seminar. Attention was still given to the first two stages — gesture (which gives you vitality) and conceptual forms (building a 3-D model of the action, not a stiff) — and their importance in describing the dynamics of the figure, as well.
Here’s one of the beach sketches from my previous post… in color!
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