
Here I am traveling through time and space and thought.
Drawn with Photoshop on Cintiq.

Here I am traveling through time and space and thought.
Drawn with Photoshop on Cintiq.

Here’s one of my first sketches on the Cintiq 12WX! I took a couple tries at drawing myself on the Cintiq before this one. I drew myself all bright and cheery, but it just didn’t look right. I felt like I was making myself look too good, and who wants to see that? So I pushed this one a little more and gave myself that look of desperation. This was an unscripted pose, but it seemed as though I might be in a confounded state of pleading or grasping to understand something fearful, so I added the “But…”



This is a sketch based on the crazy lady I recently met at my local diner. Maybe I’ll tell the story of our conversation in my comics at some point. I’m working on the first page/episode of my comics series now. It ain’t much, but it’s a start. Anyway, enjoy this sketch for the time being. Maybe my next post will be a comic! How about that?



I requested that he sandwich the cartoon in some cardboard, because my mailboxes are ridiculously tiny and my mail carrier, disgruntled. He was oh so generous and threw a little extra cartoon on the purple board.

“Mebbe a vineyard asploded?” LOL!!! Also pretty serendipitous, because Jamie and I spent this past weekend celebrating my birthday wine-tasting in the Santa Ynez Valley area of Santa Barbara County. Yes, folks. That’s “Sideways country” — and we did stay at the Buellton Days Inn, or “The Windmill.” This is our second time visiting the area for my birthday. The last time was in 2005. Our favorite wines continue to be made by Daniel Gehrs, who does not own any of his own vineyards, but purchases grapes from various places throughout the region and turns them into bottles of heaven at his winery in Buellton.

And I got more goodies today! A birthday present arrived from my brother. Wrapped in images of outer space, were two E.T. “Original Collectibles” from 1982. I was E.T. crazy when I was a little kid. These are showing some age, but still in their original packaging. Kinda like me.





Yes! Hello. I’m Back! I know, it’s been a while. I skipped a couple months. Hey, sometimes you’re just not in a blogging mood. And sometimes that feeling lasts for two months or maybe more. And anyway, I’ve been busy. My girlfriend and I went to New York on business (for her) and pleasure (for me) and then we both vacationed in Paris for a week, where we got engaged! It’s been exactly a month since we got back, and I’ve thought about posting to the ol’ blog, but… Blogging is a habit and like many habits, it can be fallen out of. Once that happens it can be difficult to pick it back up, but that’s what I’m going to try. It’s July 1st. A new month and the first day of the second half of 2007. Beginning of Act II. I’ve got doodles and photos and inspiration to share, so… we’ll see what happens!
Warmest Bloggy Regards,
Lee-Roy
“The Woodring Monitor.” Inky sketches and other machinations of Jim Woodring, creator of Frank, and a huge influence whom I don’t do justice. I will have to try harder.
UPDATE: The following image has been used with Jim Woodring’s kind permission. It is NOT my own, though I wish it were.
I’m still working on self-characterization. I think it’s getting better, but the process remains rather elusive. I think I have a design that works, I step away from it for a couple days, I come back, it looks like shit. The self character I posted previously now looks like some kind of strange bird, or something. Ah, well. Below are some sketches I did last night. Of course, they’re not hammered down designs. One sketch looks different from another. I’m working it out. Still, I think I’m seeing some progress in these. Tomorrow they will probably look all wrong to me.
As I said in my last post, I’m a long-time fan of Harvey Pekar, and obviously that’s what brought me out to the event last night, but I was glad to learn a bit more about artist Robbie Conal (
), as well. I’d seen his posters pasted onto traffic-signal control boxes on street-corners of San Francisco, Seattle (I think) and Los Angeles (in that order). You’ve probably seen them, too. Those giant portraits of politicians, drawn in a fleshy, decaying, pock-marked, grotesque, and needless to say, unflattering light.
Here’s a snapshot I took just before things got going and Louise Steinman (center) asked everyone to stop taking pictures.



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