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	<title>Comments on: Shock and Awww</title>
	<link>http://blog.artandstory.com/2007/02/26/shock-and-awww/</link>
	<description>weblog of artandstory.com</description>
	<pubDate>Sat, 30 Aug 2008 01:16:31 +0000</pubDate>
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		<title>by: Lee-Roy</title>
		<link>http://blog.artandstory.com/2007/02/26/shock-and-awww/#comment-1581</link>
		<pubDate>Thu, 01 Mar 2007 18:42:27 +0000</pubDate>
		<guid>http://blog.artandstory.com/2007/02/26/shock-and-awww/#comment-1581</guid>
					<description>I hear you sister.</description>
		<content:encoded><![CDATA[<p>I hear you sister.
</p>
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		<title>by: Akiko</title>
		<link>http://blog.artandstory.com/2007/02/26/shock-and-awww/#comment-1578</link>
		<pubDate>Thu, 01 Mar 2007 08:58:36 +0000</pubDate>
		<guid>http://blog.artandstory.com/2007/02/26/shock-and-awww/#comment-1578</guid>
					<description>I always wished there was some sort of commentary from the academy explaining the reasons behind their decisions on who/what wins.  For people like us who is studying film for story, craft, achievements in technology and it's creative use etc, I can't help wondering how in the world a singer from a recent hit TV show can win supporting actress.  What ever..</description>
		<content:encoded><![CDATA[<p>I always wished there was some sort of commentary from the academy explaining the reasons behind their decisions on who/what wins.  For people like us who is studying film for story, craft, achievements in technology and it&#8217;s creative use etc, I can&#8217;t help wondering how in the world a singer from a recent hit TV show can win supporting actress.  What ever..
</p>
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